2017 Impact factor 1.536
Condensed Matter and Complex Systems

EPJ Plus Highlight - 3D virtual slicing of an antique violin reveals ancient varnishing methods

Volume rendering of the wood with the coating system on it.

Physicists and chemists use 3D scanning to unlock the forgotten secrets of the multi-layered coating methods that give violins their exceptional tone and look

Italian violin-making masters of the distant past developed varnishing techniques that lent their instruments both an excellent musical tone and impressive appearance. Few records from this era have survived, as techniques were most often passed down orally to apprentices; only scarce information is available on the original methods used for finishing the instruments. In a new study published in EPJ Plus, Giacomo Fiocco, affiliated with both Pavia and Torino Universities in Italy, and his colleagues use the synchrotron facility in Trieste to develop a non-invasive 3D-scanning approach that yields insights into the main morphological features of the overlapping finishing layers used on violins. In turn, the morphological images can be used to determine the chemical nature of the coating. This newly developed method could help scientists rediscover the procedures and materials used, and reproduce the multi-layered coating methods of the ancient masters.

In this study, the authors rely on a 3D scanning method, called Synchrotron Radiation micro-Computed Tomography (SR-micro-CT). Moreover, they employ the Elettra Synchrotron Trieste synchrotron, a beam of accelerated particles that produces a high flux of radiation spread over a continuous spectrum extending from infrared to hard X-rays.

The authors first use the X-ray beam to scan two sets of mock-ups, which were prepared in their lab to mimic the finishing layers on the historical instruments. Using the mock-ups, they then optimise the 3D scanning settings, boost the spatial resolution and define the parameters required for 3D reconstruction. The authors then focus on a large fragment removed from a damaged cello made by the 17th-century Italian luthier Andrea Guarneri. Lastly, they compare their findings with those produced by micro-invasive analyses of the varnish to evaluate the merits of the reconstructed volumes and virtual slicing in terms of investigating such layered, complex structures.

Acting EiC: Wenhui Duan

Executive Editors:
B.K. Chakrabarti, W. Duan, E. Hernandez, H. Rieger
I am naturally indebted to you and the referees who contributed to this success with your time and constructive advice.

Hamid Assadi

ISSN (Print Edition): 1434-6028
ISSN (Electronic Edition): 1434-6036

© EDP Sciences, Società Italiana di Fisica and Springer-Verlag